Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
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Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
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Model Of Item : D5000 18-55mm Kit
Product Brand : Nikon
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Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
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Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
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Great Camera : Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
I bought a D5000 locally ten days ago and exchanged it for another one three days ago.
The first thing I did was get out in the early morning light and take some scenery photos with the D5000 and my D40. Over the next few days I prolonged taking dozens of photos testing varied settins on the D5000. I used my old 18-55mm non-Vr zoom lens and the new 35mm f/1.8 lens.
Right away, it was safe bet that the D5000's image potential greatly exceeds the D40's. First, megapixels Do matter if you want to look at your photos on a big monitor, and they add texture to the details of landscapes. Second, I don't know what processing magic Nikon has rolled into the D5000, but it handles low light with more subtlety and predictability. Caveat: While Active D-Lighting is ordinarily desirable, it may cut contrast that you want to keep in strong lighting situations.
The one problem I have experienced is that many of the photos came with a strong yellow-ochre cast suggesting that the camera was pushing too much amber into the white balance. Green grass would turn chartreuse and blue skies would come to be pale. This occurred unpredictably, perhaps 75% of the time. The rest of the images would have what look to me like perfect colors--much best and more subtle than the D40, which is pretty good. (I am evaluating these photos on a calibrated color-accurate monitor.)
After fiddling with white balance settings, hue, Wb bracketing, turning Adl on and off, etc., etc., I returned the first camera, only to find that the second one does the same thing. Yesterday, however, I stumbled over the fact that if you make your mind up "Direct Sunlight" Wb instead of "Auto White Balance" (and you de facto have sunlight) the problem goes away and the colors are perfect.
A itsybitsy more explore on the internet indicates that the unpredictable behavior of Auto White balance is a well known problem on many digital cameras. Essentially the camera is trying to guess what lighting conditions apply, but most of the experts who came up in my crusade strongly recommended manually selecting and/or adjusting white balance. Now, I didn't think that my D40 or the other cameras I owned had this problem, but maybe the other issues they did have were related. For instance, the D40 often put a faint blue cast into shadow areas that wasn't there. A D60 that I briefly owned was worse in this regard.
Like the D40 before it, the D5000's manual recommends Auto White balance for most situations, but you may want to demand that. This is a bit a disappointment, because the way Nikon has intelligently automatic so many menu choices is part of the D5000's excitement, but it seems that the Auto White balance problem is tasteless among Dslrs.
Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
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