Nikon D7000 16.2MP DX-Format CMOS Digital SLR w/ Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens + Nikon 18-55 f/3.5-5.6G AF DX VR Nikkor Lens + 8GB DavisMAX Accessory Bundle

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More about this camera:
Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16-megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera's 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor.
Supplied Accessories in addition to mentioned above: EN-EL15 Lithium-Ion Battery, MH-25 QuickCharger, Camera Strap, USB Cable, Audio Video Cable, DK-5 Eyepiece Shield (Replacement), DK-21 Rubber Eyecup, BM-11 LCD Monitor Cover, BF-1B Body Cap, BS-1 Hot-Shoe Cover, ViewNX 2 CD-ROM, User's Manual, 1 Year USA Nikon Warranty.
1- Nikon D7000 16.2MP DX-Format CMOS Digital SLR Camera Brand New USA w/ Supplied Manufacturer Accessories

PLUS !! This DavisMAX Bundle Includes:
1- Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens
1- Nikon 18-55 f/3.5-5.6G AF DX VR Nikkor Lens Brand New USA w/ Supplied Manufacturer Accessories
1- 8GB SDHC Secure Digital Memory Card (Memories are Priceless!)
1- 3 Piece Filter Kit Includes: UV, Circular Polarizer and Flourescent Filter and Hard Case
1- Ultraviolet UV Filter (Glare is Not Your Friend!)
1- Mini HDMI to HDMI 6 Foot Cable
1- External Digital Slave SLR Flash
1- Full Size 59" Tripod W/Carry Bag
1- Deluxe Padded Carrying Case w/Strap
1- Multi 50 in 1 USB Memory Card Reader
1- Pack of LCD Screen Protectors
1- Lens/LCD Maintenance Cleaning Kit
1- Mini Table Top Tripod
1- Memory Card Wallet
.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR w/ Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens + Nikon 18-55 f/3.5-5.6G AF DX VR Nikkor Lens + 8GB DavisMAX Accessory Bundle / nikon d200 digital slr

• Nikon D7000 16.2MP DX-Format CMOS Digital SLR Camera Brand New USA w/ Supplied Manufacturer Accessories
• High Resolution 16.2 MP DX-format CMOS sensor
• High Speed 6 frames per second continuous shooting up to 100 shots
• Breathtaking Full 1080p HD Movies with Full Time Autofocus
• Dynamic ISO range from 100 to 6400 + Ground-breaking 2,016-pixel RGB (3D Color Matrix) exposure sensor

.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR w/ Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens + Nikon 18-55 f/3.5-5.6G AF DX VR Nikkor Lens + 8GB DavisMAX Accessory Bundle / nikon d200 digital slr

Nikon D7000 16.2MP DX-Format CMOS Digital SLR w/ Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens + Nikon 18-55 f/3.5-5.6G AF DX VR Nikkor Lens + 8GB DavisMAX Accessory Bundle
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR w/ Nikon 55-200mm f4-5.6G ED AF-S DX Nikkor Zoom Lens + Nikon 18-55 f/3.5-5.6G AF DX VR Nikkor Lens + 8GB DavisMAX Accessory Bundle
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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

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Product Brand : Nikon | Model : D7000 18-105mm Kit
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Meet the new Nikon D7000, a camera ready to go wherever your photography or cinematography takes you. Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16-megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera’s 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor. And with an approx.  0.052-second release time lag and approx. 6 frames-per-second shooting, you won’t miss a moment..../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens / nikon d200 digital slr

• High Resolution 16.2 MP DX-format CMOS sensor
• High Speed 6 frames per second continuous shooting up to 100 shots
• Breathtaking Full 1080p HD Movies with Full Time Autofocus
• Dynamic ISO range from 100 to 6400
• Ground-breaking 2,016-pixel RGB (3D Color Matrix) exposure sensor

.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens / nikon d200 digital slr

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Customer Review :

Great Camera -- A perspective from a D300/700 Owner : Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

Hundreds of general reviews of the D7000 have already been written, so instead of trying to reinvent that wheel I will address definite issues that habitancy who are reasoning of upgrading may find helpful. If you currently own a D80 the upgrade is a no-brainer. Just do it, you won't regret it. If you're using a D90, as I was before, you may be inspecting the upgrade to a D7000 a bit more skeptically.

I am a serious amateur/hobbyist with more than 50 years of contact in photography, and have progressed from a D50 to a D80 to a D90 (each owned for two years), to the D7000 purchased two months ago.

Initially I wondered if the upgrade from a D90 would beyond doubt be worth it. Well, it surely is. The D7000 isn't an upgrade to the D90 in the customary sense that we tend to think of upgrades, it's a whole New Camera. The improvements I'm most impressed with that matter most to me personally for my kind of photography?

1. New sensor with greater dynamic range and first-rate high-Iso performance. The first Dx body to come close to approximating Fx cameras in these areas.

2. New 39-point Af module that puts the D80 and D90's 11-point Af to shame in Af-C and makes easy work of any kind of action photography. Not only faster and more exact autofocusing, but also a significantly improved recipe for speedily selecting different Af modes.

3. Improved layout of buttons and controls on the body, but with a nearly identical menu structure to the D90 that makes it easy to learn and implement everything, including the D7000's new features. The studying curve should be minimal arrival from a D80 or D90. And there are adequate similarities to the D300 to make it an easy transition.

4. Metering, especially matrix metering, is more exact in a wider variety of lighting conditions -- surely improved over the D90 and a major revision over the D80. A camera's meter readings are all the time suggestions, not commandments, and Ev recompense is often necessary. But the D7000's matrix metering gets the exposure very close to right the vast majority of the time.

5. The D7000's light touch (hair trigger) shutter publish takes a puny getting used to, but it surely minimizes the occasion of camera request for retrial blur when taking a picture. I understand that D300 and D700 users won't consideration much discrepancy in the touch, but it's a major revision if you're arrival from any of Nikon's consumer Dslrs.

6. The 6 fps continuous mode is plentifulness fast adequate to capture very fast action like birds in flight. And the new dial configuration makes it easier than ever to convert shooting modes quickly.

7. Programmable U1 and U2 modes eliminate time-consuming menu diving and button pushing when you want to switch instantaneously in the middle of settings for different situations (landscape or scenic shots vs. action photography, for example).

8. The introduction of some "pro body features" in a consumer camera like Af fine tuning, which is not something you need all the time or want to use indiscriminately, but it's spectacular, to have when you need it.

9. Best building gives the D7000 a "pro feel" not present in other consumer grade Nikon bodies. A subjective opinion, I know, but just picking up a D7000 tells you that you're handling a very solid, serious piece of equipment.

10. Yes, we all bemoaned the introduction of a new D7000 battery. But this new En-El15 is a powerhouse that will give the Energizer Bunny a run for his money. A very inescapable new enhancement.

11. Last but not least (lest we forget the real purpose of a camera), I am taking Best pictures (technically, at least) with my D7000 than I did with my D90 -- and doing so much more beyond doubt and efficiently. Compared to the 2-3 months it took me to adapt to the D80 and D90 when I upgraded to those bodies before I began getting beyond doubt satisfactory results, there hasn't been any such prolonged studying curve with my D7000.

I have not commented on the D7000's video capabilities because I don't shoot video with it. I have noted that autofocusing with any lens in Live View is rather slow, even in good light, and many lenses may have strangeness achieving an exact focus lock in low light. And a few lenses may fail to autofocus in Live View at all. This is not beyond doubt prominent to me because I very rarely use this feature, but it is something to be aware of.

A word about lenses: Achieving the best results with the higher resolution of the 16Mp D7000 does require good lenses. The 18-105 Vr kit lens is adequate and will yield perfectly satisfactory results. However, obtaining the first-rate image potential that the camera is capable of calls for Best potential glass. For an excellent general purpose "walkaround" lens that is also a Best Buy at $449, I personally advise the Sigma 17-70mm f/2.8-4 Dc Macro Os Hsm Lens for Nikon Mount Digital Slr Cameras. I prefer this Sigma to the somewhat overpriced Nikon 16-85 Vr. To cover the telephoto range, I would advise adding the excellent Nikon 70-300mm f/4.5-5.6G Ed If Af-S Vr Nikkor Zoom Lens for Nikon Digital Slr Cameras to your arsenal.

I hope Amazon shoppers for the D7000 body only who reasoning of upgrading from a previous Dslr find my observations helpful.

Update On 03/16/11 --

Here is a link to my Flickr photostream if you would like view some of the photos I have taken with the D7000. They consist of the Exif info and were taken with the Sigma 17-70mm f/2.8-4 Dc Macro Os Hsm and Nikon 70-300 Vr.

[...]

One feature I didn't mention in my customary recapitulate is in-camera editing. This is not something new, but it's much more robust in the D7000 and I use it quite a bit. For example, Jpeg shooters will appreciate the in-camera Wb adjustment that lets you exact color equilibrium that's way off right in the camera and then make subtle adjustments in post processing. Likewise, in-camera B&W and sepia conversions produce images with a full tonal gradient for later creative manipulation on the computer. Both of these are handy time-savers, and your customary image all the time remains intact. The in-camera cropping options have also been wide to consist of virtually all of the favorite formats and contribute excellent flexibility for basic cropping.

The more I use my D7000, the more I appreciate what a important upgrade it is to the D90.

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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Average Customer Review:
Product Brand : Nikon | Model : D5100 18-55mm Kit
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The D5100 incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color isolates any color within the scene, capture details in places too dark for your own eyes using Night Vision, create bright, glowing images filled with atmosphere with High Key, emphasize the mood of a scene using Low Key, Miniature Effect makes a scene look like a miniature scale model and Color Sketch creates color outlines of the subject that are played back as a series of stills in a slide show..../ Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens / nikon d200 digital slr

• 3-inch, 921,000-dot Super-Density horizontal type Vari-Angle LCD Monitor
• In-camera Special Effects Mode
• In-camera HDR (High Dynamic Range)
• Stunning Full 1080p HD Movies with Full Time Autofocus
• High Resolution 16.2 MP DX-format CMOS sensor

.../ Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens / nikon d200 digital slr

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Customer Review :

outstanding "prothusiast" D-Slr, solid upgrade from my D5000 : Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

I have been a retired Slr photographer for several years so the D5100 is my re-entry into Dslr. Previously, I had an N90s and one of the first digital Nikons; the D20. I have been shooting a Canon G10 for several years even doing some Hdr with it. I've had the D5100 about a week and have shot a 100 photos on a range of subjects - family, landscape, sunset, and macro - all with the 18-55 kit lens.

It shoots great! detail is way better than I startling for a "consumer" model. Actually, I chose the D5100 because the capability of the pics was my leading goal. It comes with the same 16mp chip as the D7000 for $400 less. I wanted to spend that money on glass. I've had approximately no problem figuring out how to set the hand-operated controls and have had good luck with the Scenes modes for most shooting. (I haven't tried the Effects and I'm not sure that I will - more of a Photoshop processing kind of guy). My biggest challenge has been getting definite focus as the camera tries to do way more than I'm used to and, if I have it in the wrong Scene mode, there's no telling what might happen. The dancing yellow squares on the face recognition function is a slight disconcerting. I have also had to learn patience as the Vr function is nice but a slight slow when handheld. I have learned to leave it off until I surely need it.

I think that most of the pro reviewers overstate the weaknesses of many of the products out there and the D5100 is no exception, maybe because it's hard to difference a crowded competing stock line. At any rate, here is my take on some of the deficiencies. First, the location of the LiveView button work great for me. Because it is a lever rather than a button it is easy to find and use without inspiring my hand on the grip. someone else complaint has been the lack of an Iso button. I do prefer buttons over menus but there are too many functions which I would like to have on a button that there wouldn't be room for all of them. I programmed the fn button (which is done surely in the menus) to allow me to operate the Iso. It works well both when I'm working through the viewer or the display screen. I will agree with complaints that the fn button is too close to the flash button. I've inadvertently mixed them up and it cost me a pic or two. However, I only need to make that kind of mistake a join of times before learn to avoid the problem.

The rear screen is great...very high resolution. The zooming function works well and I have been able to check image focus easily. The side tilt is very elegant and I like that if flips to protect the screen when not in use.

I'm not much of a videographer but I did shoot some video and the image capability if fantastic. I put it on my Tv and the capability was great. The focus works pretty well although you can see it occasionally get behind for a few seconds for quick inspiring subjects - like cars and kids. The microphone isn't worth much so it may be worth investing in the add-on microphone for more serious video projects.

All in all, the capability and fit of the camera is very good in spite of being made from plastic. i wouldn't want to drop it or the lens for that matter - they are not made like my old N90s or my 70-200 f2.8 but, on the other hand, I won't won't miss the extra 5 lbs. Of weight because this camera is Light! It is small but fits the hand well and is joy to carry around.

To summarize: As you would expect from a Nikon, great photos; as good as the D7000 (according to dpreview) and $400 less. Easy to use, light, good hand-operated control, and good assisted operate through scenes. The D5100 is a good option if you are seeing for high capability images without all the bells and whistles of the D7000.

No "cons" except don't drop it...probably won't survive! Battery life isn't great either (I tend to use the display and LiveView a lot) so I've already invested in a backup battery.

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Average Customer Review:
Product Brand : Nikon | Model : D7000 Body
	Available : In Stock From

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Meet the new Nikon D7000, a camera ready to go wherever your photography or cinematography takes you. Experience stunning images with sharp resolution and smooth tonal gradation, thanks to the 16 megapixel DX-format CMOS image sensor and a powerful EXPEED 2 image processing engine. Take advantage of its wide ISO range of 100 to 6400 (expandable to 25,600) and its incredibly low levels of noise. Expect your images tack-sharp and accurately exposed, thanks to the camera's 39-point AF and Scene Recognition System using a 2,016-pixel RGB matrix metering sensor. And with an approx. 0.052-second release time lag and approx. 6 frames-per-second shooting, you won't miss a moment.

You'll see exactly what you're capturing with the approx. 100% frame coverage viewfinder, and for those who want to shoot both stills and movies, the D7000's D-Movie capabilities now include Full HD 1080p capture with full-time autofocus and manual exposure. All of this advanced imaging technology is kept safe beneath the magnesium alloy covering the top and rear chassis of a compact body, whose sealing has been severely tested against moisture and dust. The D7000 is ready to shoot indoors and out, and at 150,000 cycles tested, the camera's durable shutter unit helps you keep shooting. Combine all this with the unmatched NIKKOR lens lineup and Creative Lighting System and you have everything you need to explore your imagination to its fullest. Where can creative freedom like this take you? Find out, with the D7000..../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only) / nikon d200 digital slr

• High Resolution 16.2 MP DX-format CMOS sensor
• Body only; lenses sold separately
• High Speed 6 frames per second continuous shooting up to 100 shots
• Breathtaking Full 1080p HD Movies with Full Time Autofocus
• Dynamic ISO range from 100 to 6400

.../ Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only) / nikon d200 digital slr

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Customer Review :

Great Camera -- A perspective from a D300/700 Owner : Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD (Body Only)

Just take it for granted that this takes breathtaking pictures under all conditions, along with low light, and that it contains all the hand-operated controls that you'd ever want.

Instead, here's some things that the camera does that you might not have heard about:

* Built-in EyeFi support

If you've used EyeFi Sd cards before, you probably assumed that it would work with the D7000, since the D7000 now uses Sd cards instead of Cf. But not only do you not have to mess colse to with Sd-to-Cf adapters, the camera is de facto EyeFi aware-- you can select to have it upload or not upload on a slot-by-slot basis (so you might have it automatically upload the Raw files you saved to an EyeFi Pro card in slot 1, but not bother to upload the Jpegs you saved to the EyeFi Explorer card in slot 2), and there is also an icon that appears on the Info display to indicate that there are files waiting to upload, that the upload is in expand or disabled, etc.

The Nikon Wifi adapter is going for $400. A 4Gb, class 6 EyeFi card goes for $40. If you de facto want to move Raw files, snag the Pro version for $80. Yes, the Nikon adapter does things that EyeFi can't, but if you just want to get your files onto a Pc without pulling the card, why spend 10X the money?

You're stuck with the usual limitations of the EyeFi card, but I fully expect to use this highlight a Lot with studio portraits-- yeah, it only takes 10 seconds to pull the card and have Windows recognize that you added it, then an additional one 5 seconds to eject the card and stick it back in the camera. But if you just want a quick check that your exposure or focus is where you want it, wouldn't you rather just hit a singular key and see your last shot, then get right back into the flow? You may want to drop your Jpeg file sizes to speed up the transfer.

* In-camera Raw file processing

The camera contains a ton of built-in settings-- in increasing to the basics like Standard, Normal, Landscape, etc, you also get all the varied Scene modes, which are basically variations on those main settings.

Raw processing allows you to see how the shot would have looked had you used one of those other modes. In other words, you shoot in Normal, which basically applies no processing to the image, then settle on the Raw file, and select how you'd like to adjust it. You can change the white balance settings, exposure, basic photo setting (landscape, portrait, etc), noise reduction, color space, and dynamic lighting. With the irregularity of the advanced details on the basic photo settings, you see a preview of how your change will sway the picture.

If you like it, just hit Execute and it writes out a Jpeg to your card. Don't like it, just back out and nothing's saved.

This means that you don't have to worry that shooting in Vivid is going to succeed in an oversaturated image, or you can punch something up even more after the fact. The only real drawback here to me is that it is going to kick out a Jpeg, so if you're planning on doing added editing in Photoshop, this may not be the best route. But if you're just finding to go right from the camera to the web, or want to get an idea of how playing with institution settings will sway your shots, this is a huge shortcut to taking and then deleting a ton of shots. (And keep in mind that Photoshop will allow you to mess with most of these settings when importing Raw files anyway, and the plugin D7000-compatible Raw plugin had a publish candidate posted yesterday, so you can ultimately open your Raw shots.)

And a associated highlight that's in most other Nikons, but that you might not know about-- you can define your own basic photo settings. Want something that's super-saturated and super-contrasty? Just hit a few buttons, select a name, and you're done. On the older Nikons, you had to edit the basic profile itself, now, you can use one as a starting point and adjust from there. Much cleaner.

* User-defined settings on the control knob

Not as secret as the first two, but I can't emphasize how cool this highlight is. Here's the situation I was in last night-- I was shooting a singing contest in a dimly-lit venue. I was allowed to use a flash, but I didn't want to constantly be blasting the singers while they were performing.

I defined one setting as shutter priority, 1/60th, Iso Hi 2, center-weighted metering & focus, no flash. The second setting was automatic, Iso auto, full metering and autofocus, flash enabled. I'd take a consolidate shots in U2 with the flash, close the flash down and switch to U1 and shoot a half a dozen shots, then switch back to U2 and use the flash for a consolidate more shots. There was no fumbling for controls, no worrying that I changed the shutter speed without realizing it when changing between Auto and S-- every time I went from U2 to U1, all my settings were reset to where I put them before the event started.

I don't think I ever felt as determined about my camera settings in a rapidly changing situation as I did last night-- with just a uncomplicated twist of a knob, I was able to change to a wholly separate shooting configuration with absolute trust that it was what I wanted.

To me, the utility of this is almost endless-- I'll probably set up one setting for studio portraits, and the other for landscape stuff. If I was still shooting news, I'd probably be swapping between flash and no-flash configurations. For sports, I'd change between activity modes and post-game portraits.

The only thing that would make this even good would be if I could import and export settings for later use-- even if you use the "Save/Load" settings option to back up your current configuration to a memory card, it doesn't appear that this data is stored. However, it may be a bug in the Load settings feature, as a estimate of my settings were incorrectly reset when I tried to load in settings. Whether way, it would work good if I could treat these like institution basic photo settings, recovery them by name and loading them at will.

* Built-in interval timer shooting

Want to take time-lapse pictures? Just set up your camera on the tripod, specify when you want it to start, how many pictures to take overall, and how many pictures to take each interval and walk away. When it's time to start taking pictures, the camera will automatically focus and shoot, then go back to waiting for the next shot. No messing colse to with tethering, 3rd party software, whatever-- it's all in the camera, and it's all super-easy to set up. You'll find yourself taking pictures of your living room just to see what your cat de facto does all day while you're at work.

* Zoom in live view

This might just be "new to me," but I found it to be very cool for manually adjusting focus when on a tripod-- frame your basic shot, then change to live view. From there, zoom in with the magnifying glass key, and move colse to the image with the navigation pad until you find the point you want to focus on, then manually focus. Since you can zoom into a tiny quantum of the comprehensive image, you can see that you're getting exactly the focus point you want before you take the shot. One gotcha that I always forget, though-- don't forget to pick your cleft Before going into live view, as you can't change it once live view has started.

* Adjustable shooting rate

Again, might be "new to me," but in increasing to blasting away at 6fps, you can manually adjust that from 1 to 5 Fps in order to get a separate effect. You obviously need to be using a fast adequate shutter speed to support your choice-- if you're at 1/2 a second, you're not going to shoot faster than 2Fps.

As I mentioned in one of my other reviews, I used to be a semi-pro photographer-- I was the photo editor for both a weekly and a daily paper, I've shot tons of sports and news photos, and landscape photography is my hobby. I've recently gotten back into portrait photography as well. While I never owned as many cameras as a true pro would have (that semi- means that I never made adequate money at it to be able to de facto spring for equipment), I have shot with a lot of other people's equipment, and I can de facto say that this is the best camera I've ever used.

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Nikon D5100 16.2MP Digital Camera + Nikon 18-55mm VR Lens + Nikon 55-200mm VR Lens + .40x Wide Angle Fisheye Lens + 650-1300mm Zoom Lens + 800mm Mirror Lens + 2x T-Mount Telephoto Lens + 3 Year Celltime Warranty

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Nikon D5100 16.2MP Digital Camera + Nikon 18-55mm VR Lens + Nikon 55-200mm VR Lens + .40x Wide Angle Fisheye Lens + 650-1300mm Zoom Lens + 800mm Mirror Lens + 2x T-Mount Telephoto Lens + 3 Year Celltime Warranty

Nikon D5100 Digital SLR Camera with 16.2 Mega-Pixel DX-Format CMOS Image Sensor. D-Movie Mode with sound, vari angle color LCD Monitor, 4 fps continuous shooting and Full 1080p HD Movies with full time autofocus

Nikon 18-55mm F3.5-5.6G AF-S DX VR Zoom Lens is versatile 3x all purpose zoom lens , 18-55mm Zoom-Nikon with Silent-Wave Motor auto focusing and Nikon VR image stabilization to combat picture blur caused by camera shake for sharper handheld pictures. Ideal for many types of photography especially portrait and landscapes.

Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR Lens enables handheld shooting at up to 3 shutter speeds slower than would otherwise be possible, assuring dramatically sharper still images and video capture. Great for portraiture, family, sports, nature and wildlife.

.40x Wide Angle Fisheye Lens helps you create a curved effect or flat effect while zooming high image quality and speed. Great lens to use to photograph scenery.

650-1300mm High Definition Telephoto Zoom Lens aperture of F/8-16 the lens embodies pure shooting power. Multicoated optics and integrated lens hood combine to maintain maximum contrast with reduced glare and reflections, great for distance motion shots bringing the action closer to you.

800mm Mirror Lens with its given its power and portability, this lens is ideally suited for wildlife and sports photography.

2x Telephoto T-Mount Lens doubles your lens to 1000 times.

UV Filter

PL Filter

FLD Filter

16 GB Memory Card

Camera Backpack

Camera Holster Case

Digital Pro Slave Flash

High Speed Card Reader

Zeikos Wireless Remote

Extra Rechargeable Battery

Professional 57" Tripod

6 Piece Starter Kit

3 Year Celltime Warranty Repair Kit
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• Includes BRAND NEW Nikon D5100 16.2MP Digital SLR Camera Body with 3 Year Celltime Warranty Repair Contract
• Nikon 18-55mm VR Lens + Nikon 55-200mm VR Lens + .40x Wide Angle Fisheye Lens + 650-1300mm Zoom Lens + 800mm Mirror Lens + 2x T-Mount Telephoto Len + 16 GB Memory Card
• 3 Piece Filter Kit (UV Filter + PL Filter + FLD Filter) + Camera Backpack + Camera Holster Case + Slave Flash + High Speed Card Reader + Wireless Remote + Extra Rechargeable Battery + 57" Professional Tripod
• 6 Piece Starter Kit includes a mini travel tripod, 3 piece screen protector, memory card wallet, lens cleaning fluid, soft-tex fiber cloth, and 5 piece cotton swabs
• 3 Year Celltime Warranty Repair Package

...Read more


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Best Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens for $1,499.00

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

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Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens Overview

Nikon D7000 16.2MP DX-Format CMOS Digital SLR with 3.0-Inch LCD and 18-105mm f/3.5-5.6 AF-S DX VR ED Nikkor Lens

Technical Details

• High Resolution 16.2 MP DX-format CMOS sensor
• High Speed 6 frames per second continuous shooting up to 100 shots
• Breathtaking Full 1080p HD Movies with Full Time Autofocus
• Dynamic ISO range from 100 to 6400
• Ground-breaking 2,016-pixel RGB (3D Color Matrix) exposure sensor

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Buy New Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens

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Product Brand : Nikon
Product Model : D5100 18-55mm Kit
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Nikon D5100 16.2MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens Overview

Technical Details

• 3-inch, 921,000-dot Super-Density horizontal type Vari-Angle LCD Monitor
• In-camera Special Effects Mode
• In-camera HDR (High Dynamic Range)
• Stunning Full 1080p HD Movies with Full Time Autofocus
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